Following successful sign in, you will be returned to Oxford Academic.Do not use an Oxford Academic personal account. When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. The phenomenology of lyric obscurity remains relatively constant across the conventionally formidable boundaries between literary and vernacular poetries-even as vernacular obscurity vividly and alluringly marks the horizons of class identity. In addition, with modern poetry's deliberate cultivation and rationalization of obscurity (starting with Romanticism), the spectacle of lyric obscurity projects itself more broadly as a symptom of social alienation and therefore as an element in the social economy. This chapter explores different hypotheses of obscurity effects and the general “uncertainty of meaning” associated with verbal obscurity-viewed from the vantage point of the dominant, or literate, social class. One could also contend that these “obscurity effects” betray a model of expression mirroring the inexplicit relations among individuals forming a secret society-a world apart from the world-but also the occult relations between discontinuous worlds. Poetry, by analogy, may be said to produce certain obscurity effects. Indeed, crafting obscurity in a poem perfects the palpable art of disappearance. At the same time, disappearance becomes a legible, material event through the verbal craft of obscurity. Obscurity is a way of making things disappear with words.
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