This scenario where every nuance was so exposed. And over the course of three days of tracking, I was very happy with how the Hilo's conversion and clocking removed the somewhat annoying tonality of the Digidesign 192 I/O converters, especially in Within the never-ending debate about whether converters and/or clocks have an audible impact on sound, I am brashly on the side that says they do. Moreover, all of this functionality fit in my little hipster backpack like a book.Īnd then we tracked many hours of solo piano for three days straight. So, before I dump a bunch of features on you, let's look at what the Hilo did for me in this scenario: I got a better sounding converter I was able to improve the clocking of the entire Pro Tools system I could calibrate the converter to my desired levels in an instant using the front-panel touchscreen (which allowed me to push the analog gain structure as I saw fit) I saved my sampling rate and I/O settings for instant recall each day and I had on-board analog VU or horizontal LED-style metering, which allowed me to turn off the computer monitor. In essence, I turned the Digidesign system into what was mostly a Lynx Hilo system, and I was able to accomplish all of this without a single hiccup in about two minutes. The Hilo's S/PDIF outputs fed the 192 I/O's S/PDIF inputs. On the digital side, sampling rate was 24-bit, 96 kHz, and I clocked the whole Digidesign 192 I/O system to the Hilo's internal clock via BNC word clock ports. The close mics went through a Neve 1073 pair to a stereo Tube-Tech LCA 2B compressor to the Hilo's analog inputs, while the room mic went through a Groove Tubes VIPRE (#45) and into one channel of a Digidesign 192 I/O converter. Three days with one very intense musician, one gorgeous- sounding vintage Steinway, and three dutiful mics: a Royer R-121 (Tape Op #19) on the treble bridge, a Neumann M 49 on the bass, and a second M 49 in figure-eight in the room, which I duplicated panned hard L/R and flipped phase on one channel to create a kind of fake mid-side that had a great widening effect. While I understand the value of A/B comparisons - and have used them for years as a basis for my evaluations - I have come to believe that an immersive experience is the way to real insight into the performance and general nature of a product.įor these reasons, I took the next-generation Lynx Hilo converter with me to Buffalo, NY and made a record with the amazing abstract expressionist of solo piano improvisation, Boyd Lee Dunlop (- age 86, and older brother of legendary drummer Frankie Dunlop. After years of reviewing gear, I have come to the conclusion that A/B comparisons are not able to tell me what I want to know about a piece of equipment.
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